Archive for September, 2009

Wednesdays sometimes require a certain kind of disciple and dedication. It’s the farthest day you can be from the weekend, and I know that as soon as I wake up, that fact stares me straight in the face. Realizing that I have the option, if I really wanted to, to just stay in bed and sleep for ever and ever, I am almost defeated. It doesn’t help that I have a mattress pad that feels like a cloud filled with pure happiness, or that my comforter knows exactly just what temperature I’m most comfortable in, or that my pillow is one of those memory foam ones that conforms to the shapes of my head. It sure as hell doesn’t help that I didn’t get to sleep till four in the morning and my time of waking was supposed to be just three hours later. At that point, I allow myself the luxury that is Americanized sleep for just five more minutes (okay, maybe another hour…), but I don’t really sleep. I use this time to try my best to remember my dreams, to give myself a little guidance in the upcoming unknown day, and I use that time to reflect on all of the wonderful places and things I did in the day that came before this horrid Wednesday morning. I remember the friends I met, the souls I warmed, the ideas I encouraged, the lovers I made, the music I created, and the time I spent. None of this happened to anyone else on the Earth on that day; all of that happened because I made  conscious decisions that no one else could make, and because of that, I really enjoyed my day. Now, I get to thinking- what makes this day, Wednesday, any different from any other day? Is there anything really different about today then yesterday? Sure it may be a bit colder, sure it may be a different named day according to us silly humans, but all in all, it’s a day that holds just as much possibility as the one that came before it. It’s up to us to do something, take advantage of that fact that we are alive yet another day, and do what we think is good. And with this knowledge, and this playlist, I got up today, ready to spin some more destiny to more unsuspecting souls.

I’m up for the challenge- are you guys?
PS: First new vampire weekend track is in! Check it!

HumpDay Playlist:

1) Animal CollectiveTaste
2) Grizzly BearTwo Weeks
3) Led ZeppelinTangerine
4) Modest Mouse- Gravity Rides Everything
5) Menomena- Wet And Rustling
6) Volcano Choir- Island, IS
7) Blitzen TrapperWild Mountain Nation
8 ) Deerhunter- Game of Diamonds
9) Vampire Weekend- White Sky
10) Edward Sharp & The Magnetic ZerosHome
11) Animal Collective- For Reverend Green
12) Animal Collective- Fireworks


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So, from the looks of it, 2010 is going to be one of the biggest years in music in a while. Forces are gathering, bidding their time, and I feel a plethora of musical alchemy building and waiting to be released on us foolish listeners. All of my many, many faithful readers might be thinking “I’ve heard THAT one before… It’s just gonna be another year in music…” and perhaps it is. It always will be, so there’s no point in arguing that. The fact of the matter is that, whether we like it or not, we are gonna be getting a lot of either gold-or-miss material from so many fantastic bands from every which genre. So without further ado, here’s 2010’s HOT LIST, so far:

1) MGMTCongratulations :  Ah, MGMT. How we’ve all waited with fingers crossed and hearts heavy for more of your spiritual guidance. At first, MGMT seemed like a silly band, especially looking back at the pre-MGMT days as the Management and their songs about four winged dinosaurs. However, anyone who’s anyone that has listened to their fantasmical debut Oracular Spectacular, knows that this is a band with outrageous potential. It’s been ages in internet time since they’ve updated anyone, and I believe at this point that they are going for a more mysterious aura; they’re trying to show us that only they can define themselves. The only clues we’ve gotten as to where their music might be heading on the thought-provokingly titled Congratulations have been snippets of just-being-formed songs at concerts and the only official new single since Oracular, “Metanoia.” However, if any of these things are even a slight indication, where the band is headed musicaly, be excited. Be very excited. It sounds like they’re morphing into a Pink Floyd-sounding (but still their own) band, complete with sprawling sounds, random samples, howling harmonies and just as many catchy hooks as ever. Now, don’t get me wrong, the band we’ve all grown to love still has their randomness and unorthodoxy that we’re all so fond of, but they’re allowing themselves to expand as a band where they need it, and I’m very sure they know where they need to step back. Look for Congratulations in the first quarter of 2010.

2) LCD SoundsystemUntitled:  It’s been far too long since we’ve heard from older then would be expected do-it-all man, James Murphy. He is the driving force behind LCD Soundsystem, which, in all honesty, is the basis of all compare for any electronic album nowadays. I don’t blame him for taking so long to give us loyal fans a snippet, because he does so freaking much, what with being married, being co-founder of DFA Records, and being kinda old. He’s been in bands-a-plenty, produced more then his fair share of solid gold for other bands, almost was a key writer for Seinfeld, and has been DJing for god knows how long. Oh yeah, and he hand crafted the genius that was LCD Soundsystem’s self-titled debut, and the critically acclaimed follow up, Sound of Silver. If for some dumb reason you haven’t heard SoS, go get it right now. Go. I’ll wait. James has been said to been working in LA over the past summer on this album, with rumored song names to be “Why Do You Hate Music?” and “Love in LA”. The new disc should drop early 2010, so keep your ears peeled, you don’t want to miss this one.
~45:33 (Padded Cell Remix)
~ Daft Punk is Playing at my House
~ Someone Great

3) JusticeUntitled: AHHHHHH! FUCKING JUSTICE! After their very creative debut album, Cross, and the following documentary/live album A-Cross The Universe, Justice are ready to come back, and hopefully bigger then ever. As of late, their recent remixes have had the Justice feel, but lacked anything substantially cool- I still enjoyed them, but perhaps it’s only because I’m a fan. They recently sold their soul and remixed for U2’s new album, which was okay, but U2 and Justice should NEVER MIX (You hear me, internet? Good. Take care of it.). However, they probably recieved a huge 6-figure sum to make it, so I can’t blame them for not turning it down. It takes big money to make that big Justice sound. If they can somehow make their ear-rattling sound evolve, without sounding too repetitive or just relying on old tricks, I’m sure their new album will be fine. Not much is known about it yet, really, besides the fact it’s being made, somewhere, with a release date sometime, presumably early 2010.
~Electric Feel (Justice Remix)

4)Vampire WeekendContra: It’s kinda funny. When Vampire Weekend first hit the scene way back in 2006, it was cool to even know about them. Alas, the blogosphere is a cruel place, and now I’ve met many a weary soul that say they hate Vampire Weekend. Now, I can tell that’s not true, cause when they say that, their eyes glance away and I swear the expression on their faces says “Oh, please forgive me Ezra, I don’t mean it, you know that. You know that no one may know of our undying love! It’s too soon!” Well, rest easier tonight, oh hidden Vampire Weekend lovers, for with the release of Contra, you may proudly start singing all the songs you’ve no doubt completely memorized. Still don’t wanna give in? How about this: when Vampire Weekend first started, they themselves, said that they sucked. They themselves said they didn’t really have massive musical skills, but instead they had an intense longing and drive to make music that came from deep inside them. And it shows in their style. They know how to stretch out the scales just enough to tickle your ear bones, and Ezra Koenig’s voice reaches some very beautiful place, all while sounding very natural. For white kids who grew up in the better parts of America, they sure sound like they might come from Africa, and for being so young, they sure do sound like Paul Simon at times. The new album has not been leaked yet, as opposed to the last which was leaked so early it almost broke the band. The only thing we know at this point is the tracklisting, and the main cover, which this time features a very stoned-looking lady, perhaps the hinted at Contra? Oh, and the mysterious clip, only titled “Contra Teaser.” Though it’s not much to go off of, I like the feeling of it. The album drops January 12th in the U.S. of A.

  1. “Horchata”
  2. “White Sky”
  3. “Holiday”
  4. “California English”
  5. “Taxi Cab”
  6. “Run”
  7. “Cousins”
  8. “Giving Up The Gun”
  9. “Diplomat’s Son”
  10. “I Think Ur A Contra”

Contra Teaser

The best of ze rest:

The Shins- Untitled

The KlaxonsUntitled


The GorillazUntitled

Julian LennonEverything Changes

Red Hot Chili Peppers- 10th Album

The Offspring9th Studio Album

Stone Temple PilotsUntitled

“Weird Al’ YankovichInternet Leaks

The Streets- Computers and Blues

Hot Chip- Untitled

HansonOh, god, why?

Flobots- with Mario Caldato

Kings of Leon- Untitled

High School Musical 4 Soundtrack- NO NO NO NO (yet sadly true…)

GorillazElectric Shock Demo
The Klaxons- No Diggity (Blackstreet Cover)
Ratatat- Mirando (Animal Collective Remix)

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animal crack boxAnimal Crack Box has had an interesting history, like much that has to do with Animal Collective. The three-disc vinyl-only collection had been discussed for years following the release of Hollinndagain, their first live album, but was always put off, as studio albums always seemed more appealing to the band. At first, there was only one actual copy of the album, made available on eBay to support Doctors Without Borders (a charity best known for helping third-world countries), but the vinyl collection was soon released commercially, with 1000 more copies put up for sale via Fusetronsound. Even with the lack of actual copies produced, thanks to the internet, the album is still widely available.

To the many fans Animal Collective picked up with Merriweather Post Pavilion, Animal Crack Box might be a very confusing step “forward,” because the live album’s sound more closely resembles their earlier work, rather then then the very focused pop-sprinkled sounds of Merriweather. However, the timing of this album really couldn’t be better. By releasing and re-instating this more-experimental side of their ever-changing sound, Animal Collective have let their fans know that they are still doing what ever they want, and that though Merriweather Post Pavilion may have skyrocketed them more into the limelight, that they will never become just the one thing.

For Animal Collective, the music has always been about the building energies between the band mates and the feeling of the musical piece as a whole. Crack Box showcases Animal Collective at their trippy best, with the only continuing beat throughout the experience being the syncing of Panda Bear’s soulful yelping to your very own climbing and dipping heartbeats. The varying members of Animal Collective have always listened to the voices that come from deep inside them and transcribed those fleeting feelings into songs about pure emotions, (Feels, if you will) leaving the listener either pulled deeper and deeper into the odd soundscape being made for them, or into a colorful state of confusion. True, they are not for everyone’s tastes, but I do feel that if given a fair chance, anyone could potentially get into at least a couple of their infectious songs.

Some songs do seem to drawl on and on, such as the opener, “Jimmy Raven”, but I suggest never giving in to the temptation to skip a song. Like I said, Animal Collective has always been about building energies and combating emotions, which means the songs are all about the whole experience. This is especially true when listening to Animal Collective as a live album, any themes that they might seem to randomly touch on early on are usually built upon later in some way. Animal Collective try to break the modern musical addiction that is short bursts of song-i-tude, to remind us of the roots of what music actually is. Music is about the unique experience of hearing someone’s individual thoughts and feelings, from their perspective, to expand your own. Some may think that by getting rid of obvious hooks and choruses that Animal Collective is barely even making music, but that couldn’t be further from the truth. In all honesty, they might be one of the only bands to actually make music anymore. They are able to weave a song from apparently thin air, and their seemingly random vocal cries are placed so particularly that they seem to come bubbling from the mouths of the members, but from the brains of some other-worldly force. I actually find many parallels between the song structures of Animal Collective and the works of early classical composers whose epic suites were a living-breathing piece as much as Animal Collectives are. They evolved, rose and fall mimicking the rising and falling of human emotions, and they took time to build up those feelings.

Animal Crack Box is one of those true experiences. It can get one thinking of many things, reminding us of stories from days of old or of the challenges we will have to face in the future. It’s full of hidden sounds, subliminal messages, random samples, bizarre yelps and strange chord progressions. It’s an overwhelming experience, but in a beautiful way. It shows us what music can be at it’s most basic state of being, and at the same time, it’s most complex. It’s not what one would expect after the releases of Strawberry Jam and Merriweather Post Pavilion, but it is a fantastic showcasing for fans, both new and old, what lies at the true core of the band that’s been everywhere.

Rating: 8.8/10

FIND AND BUY ON EBAY: http://shop.ebay.com/i.html?_nkw=animal+crack+box

Key Songs:
Iko Ovo

Jungle Heart

Pumpkin Gets a Snakebite
Pumpkin’s Hallucination
Pumpkin’s Funeral

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